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![]() | On the fog-drenched Black Sea coast, a woman gives birth to a being that defies nature. As her body and mind begin to unravel, love becomes both her devotion and her disease. MUTTER is an intimate fever dream of motherhood, grief, and transformation - a modern folk parable where tenderness and terror share the same frame. |
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![]() | Caught between a heated dispute over a broken grass trimmer and the exhausting upkeep of her sprawling bed and breakfast in southern Italy, Rosa—a former migrant worker—clings to her family in Germany via video calls. As her long working life draws to a close, she faces an inescapable question: what to do with a legacy that no one wants? |
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![]() | At the end of the 19th century, Zélie lives on a remote farm in the stranglehold of her father Jacob. He appeals to his faith, but that does not keep him from cruelty: beneath pious words, he keeps his daughter small, while her mother has long since been broken by his harshness. But even beyond the farm, the world is falling apart. A mysterious plague, the "Black Veil," is spreading and robbing people of their minds. However, how the infected are dealt with extinguishes any notion of compassion. Director Quarxx conjures a dark, invented era that transplants the rugged loneliness of a Western to Europe. What emerges is a relentless eye-for-an-eye struggle in which familial violence, religious delusion, and a deadly pandemic interlock. This Gothic horror is a feverish descent into a hellish world that leads in only one direction: into the darkness. |
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![]() | Who doesn't know the feeling of being in the wrong movie? Madoka feels the same way: The theater author sits in the cinema watching a film about the musician Kazuma – who sits in the cinema watching a film about Madoka – who sits in the cinema watching a film about Kazuma. In disbelief, they stare at each other across the screen. How is that possible? What is happening right now? But then they begin to talk to each other and change the official plot. The story gets more and more tangled and becomes increasingly fantastical. Multiverse master Makoto Ueda, following his screenplays for BEYOND THE INFINITE TWO MINUTES and RIVER, directs for the first time himself with YOU ARE THE FILM. Once again, he outdoes himself with a collection of whimsical ideas in which elements from different galaxies mix and the space-time continuum increasingly dissolves. |


























































































